The Shawl That Had Its Own Ideas

School has resumed for the year and I can devote more time to felting and less time to schlepping.  This is not to say I've done nothing all summer, wool-wise.  I just haven't blogged about any of it.  So let this first post-summer blog be about an experiment, one of many I undertook this summer.

Before I left MI last winter, I saw a woman in a gorgeous fisherman's knit shawl.  At least I thought it was a shawl.  I admired it and she let me really look at its construction. Not that I wanted to knit one like it;  I wondered if it could be a template for a nuno-felted shawl.  It was created like a fat T.  One long piece that draped around the shoulders and hung down in front on either side, with a square attached that covered the back.  I sketched it; I estimated the measurements.  And then we moved and it had to wait.  In July, I finally pulled out the initial sketch.  I cut two finished scarves and some patterned silk material I had.  I chose wool and yarns I thought might work with the colors.  And I started.

The colors felt like autumn and fire and molten lava and turning leaves.  I layed strips of chestnut wool to create seams and to add design elements on top of the silk.  I thought I would use red and burgundy yarns in the process, but as I continued, the work changed.  A variegated brown yarn with specks of green and gold and orange got added.  Wisps of merino wool in colors of fire joined the design.

I let the piece sit for several days before felting.  I usually do this to give myself time to feel done with the design.  When I was finally ready, it took several hours of wetting and rolling and rubbing and throwing.  And when I was done, it did not hang at all like the shawl upon which I had modeled it.  In fact, it became clear that it required a bit of hand sewing to become what it really was: a vest with a ruffled collar.